Tuesday, January 28, 2014

000010 - Ibn Abi Usaibia, Arab Physician and Historian

Ibn Abi Usaibia
Ibn Abi Usaibia, or Ibn Abi Usaybi'ah or Ibn Abi Usaybi'a, ( [1194] 1203-1270) (Arabic: ابن أبي أصيبعة موفق الدين أبو العباس أحمد بن القاسم بن خليفة الشعري الخزرجي‎, Ibn Abī Uṣaybiʿa Muʾaffaq al-Dīn Abū al-ʿAbbās Aḥmad Ibn Al-Qāsim Ibn Khalīfa al-Khazrajī) was an Arab physician, bibliographer and historian. He was born at Damascus, a descendant of the Banu Khazraj tribe and the son of an oculist, and studied medicine at Damascus and Cairo. In 1236 he was appointed physician to a new hospital in Cairo, but he surrendered the appointment the following year to take up a post given him by the amir of Damascus in Salkhad near that city. There he lived and died.

Ibn Abi Usaibia owes his fame to a collection of 380 biographies which are of value for the history of Arabic science.

Ibn Abi Usaibia wrote ʿUyūn ul-Anbāʾ fī Ṭabaqāt ul-Aṭibbāʾ (Arabic: عيون الأنباء في طبقات الأطباء‎), or Lives of the Physicians, which in its first edition (1245-1246) was dedicated to the vizier of Damascus. This he enlarged, though it is uncertain whether the new edition was made public in the lifetime of the author. A European edition was published by August Müller (Königsberg, 1884). This work is notable as a source for Aristotle's biography. Its material on Pythagoras' biography is included as an appendix.

Thursday, January 23, 2014

000009 - Amiri Baraka, Polarizing African-American Poet

Amiri Baraka, also called Imamu Amiri Baraka, original name (until 1968) (Everett) LeRoi Jones (b. October 7, 1934, Newark, New Jersey — d. January 9, 2014, Newark, New Jersey), was an African American writer who presented the experiences and anger of black Americans with an affirmation of black life.
Jones graduated from Howard University (B.A., 1953) and served in the U.S. Air Force. After military duty, he joined the Beat movement, attended graduate school, and published his first major collection of poetry, Preface to a Twenty Volume Suicide Note, in 1961. In 1964, his play Dutchman appeared off-Broadway to critical acclaim. In its depiction of an encounter between a white woman and a black intellectual, it exposes the suppressed anger and hostility of American blacks toward the dominant white culture. After the assassination of Malcolm X, Jones took the name Amiri Baraka and began to espouse black nationalism.
In 1965, Baraka founded the Black Arts Repertory Theatre in Harlem. He published much during this period, including Black Art (1966) and Black Magic (1969). In addition to poetry and drama, Baraka wrote several collections of essays, an autobiographical novel (The System of Dante’s Hell [1965]), and short stories. In the mid-1970s he became a Marxist, though his goals remained similar. “I [still] see art as a weapon and a weapon of revolution,” he said. “It’s just now that I define revolution in Marxist terms.” In addition to writing, Baraka taught at several American universities. The Autobiography of LeRoi Jones/Amiri Baraka was published in 1984.

The works of LeRoi Jones/Amiri Baraka include:

Poetry

  • 1961: Preface to a Twenty Volume Suicide Note
  • 1964: The Dead Lecturer: Poems
  • 1969: Black Magic
  • 1970: It's Nation Time
  • 1970: Slave Ship
  • 1975: Hard Facts
  • 1980: New Music, New Poetry (India Navigation)
  • 1995: Transbluesency: The Selected Poems of Amiri Baraka/LeRoi Jones
  • 1995: Wise, Why’s Y’s
  • 1996: Funk Lore: New Poems
  • 2003: Somebody Blew Up America & Other Poems
  • 2005: The Book of Monk

Drama

  • 1964: Dutchman
  • 1964: The Slave
  • 1967: The Baptism and The Toilet
  • 1966: A Black Mass
  • 1969: Four Black Revolutionary Plays
  • 1978: The Motion of History and Other Plays

Fiction

  • 1965: The System of Dante's Hell
  • 1967: Tales
  • 2006: Tales of the Out & the Gone

Non-fiction

  • 1963: Blues People: Negro Music in White America
  • 1965: Home: Social Essays
  • 1968: Black Music
  • 1971: Raise Race Rays Raize: Essays Since 1965
  • 1979: Poetry for the Advanced
  • 1981: reggae or not!
  • 1984: Daggers and Javelins: Essays 1974–1979
  • 1984: The Autobiography of LeRoi Jones/Amiri Baraka
  • 1987: The Music: Reflections on Jazz and Blues
  • 2003: The Essence of Reparations

Edited works

  • 1968: Black Fire: An Anthology of Afro-American Writing (co-editor, with Larry Neal)
  • 1969: Four Black Revolutionary Plays
  • 1983: Confirmation: An Anthology of African American Women (edited with Amina Baraka)
  • 1999: The LeRoi Jones/Amiri Baraka Reader
  • 2000: The Fiction of LeRoi Jones/Amiri Baraka
  • 2008: Billy Harper: Blueprints of Jazz, Volume 2 (Audio CD)

Filmography

  • One P.M. (1972)
  • Fried Shoes Cooked Diamonds (1978) .... Himself
  • Black Theatre: The Making of a Movement (1978) .... Himself
  • Poetry in Motion (1982)
  • Furious Flower: A Video Anthology of African American Poetry 1960–95, Volume II: Warriors (1998) .... Himself
  • Through Many Dangers: The Story of Gospel Music (1996)
  • Bulworth (1998) .... Rastaman
  • Pinero (2001) .... Himself
  • Strange Fruit (2002) .... Himself
  • Ralph Ellison: An American Journey (2002) .... Himself
  • Chisholm '72: Unbought & Unbossed (2004) .... Himself
  • Keeping Time: The Life, Music & Photography of Milt Hinton (2004) .... Himself
  • Hubert Selby Jr : It'll Be Better Tomorrow (2005) .... Himself
  • 500 Years Later (2005) (voice) .... Himself
  • The Ballad of Greenwich Village (2005) .... Himself
  • The Pact (2006) .... Himself
  • Retour à Gorée (2007) .... Himself
  • Polis Is This: Charles Olson and the Persistence of Place (2007)
  • Revolution '67 (2007) .... Himself
  • Turn Me On (2007) (TV) .... Himself
  • Oscene (2007) .... Himself
  • Corso: The Last Beat (2008)
  • The Black Candle (2008)
  • Ferlinghetti: A City Light (2008) .... Himself
  • W.A.R. Stories: Walter Anthony Rodney (2009) .... Himself
  • Motherland (2010)

Friday, January 3, 2014

000008 - Yusef Lateef, Pioneer of World Music

Yusef Abdul Lateef (born William Emanuel Huddleston, October 9, 1920 – December 23, 2013) was an American jazz multi-instrumentalist, composer and educator. He became a member of the Ahmadiyya Muslim Community after his conversion to the Ahmadiyya sect of Islam in 1950.
Although Lateef's main instruments were the tenor saxophone and flute, he also played oboe and bassoon, both rare in jazz, and also used a number of non-western instruments such as the bamboo flute, shanai, shofar, xun, arghul and koto. He is known for having been an innovator in the blending of jazz with "Eastern" music.
Lateef wrote and published a number of books including two novellas entitled A Night in the Garden of Love and Another Avenue, the short story collections Spheres and Rain Shapes, along with his autobiography, The Gentle Giant, written in collaboration with Herb Boyd. Along with his record label YAL Records, Lateef owned Fana Music, a music publishing company. Lateef published his own work through Fana, which includes Yusef Lateef's Flute Book of the Blues and many of his own orchestral compositions.

Lateef was born in Chattanooga, Tennessee. His family moved, in 1923, to Lorain, Ohio and again in 1925, to Detroit, Michigan, where his father changed the family's name to "Evans".
Throughout his early life, Lateef came into contact with many Detroit-based jazz musicians who went on to gain prominence, including vibraphonist Milt Jackson, bassist Paul Chambers, drummer Elvin Jones and guitarist Kenny Burrell. Lateef was a proficient saxophonist by the time of his graduation from high school at the age of 18, when he launched his professional career and began touring with a number of swing bands.
In 1949, he was invited by Dizzy Gillespie to tour with his orchestra. In 1950, Lateef returned to Detroit and began his studies in composition and flute at Wayne State University. It was during this period that he converted to Islam and became a member of the Ahmadiyya Muslim Community.

Lateef began recording as a leader in 1957 for Savoy Records, a non-exclusive association which continued until 1959. The earliest of Lateef's album's for the Prestige subsidiary New Jazz overlap with them. Musicians such as Wilbur Harden (trumpet, flugelhorn), bassist Herman Wright, drummer Frank Gant, and pianist Hugh Lawson were among his collaborators during this period.
By 1961, with the recording of Into Something and Eastern Sounds, Lateef's dominant presence within a group context had emerged. His 'Eastern' influences are clearly audible in all of these recordings, with spots for instruments like the rahab, shanai, arghul, koto and a collection of Chinese wooden flutes and bells along with his tenor and flute. Even his use of the western oboe sounds exotic in this context; it is not a standard jazz instrument. Indeed, the tunes themselves are a mixture of jazz standards, blues and film music usually performed with a piano/bass/drums rhythm section in support. Lateef made numerous contributions to other people's albums including his time as a member of saxophonist Cannonball Adderley's Quintet during 1962–64.
Lateef's sound has been claimed to have been a major influence on the saxophonist John Coltrane, whose later period free jazz recordings contain similarly 'Eastern' traits. For a time (1963–66) Lateef was signed to Coltrane's label, Impulse. He had a regular working group during this period, with trumpeter Richard Williams and Mike Nock on piano.
In the late 1960s, Lateef began to incorporate contemporary soul and gospel phrasing into his music, still with a strong blues underlay, on albums such as Detroit and Hush'n'Thunder. Lateef expressed a dislike of the terms "jazz" and "jazz musician" as musical generalizations. As is so often the case with such generalizations, the use of these terms do understate the breadth of his sound. For example, in the 1980s, Lateef experimented with new age and spiritual elements.
In 1960, Lateef again returned to school, studying flute at the Manhattan School of Music in New York City. He received a Bachelor's Degree in Music in 1969 and a Master's Degree in Music Education in 1970. Starting in 1971, he taught courses in autophysiopsychic music at the Manhattan School of Music, and he became an associate professor at the Borough of Manhattan Community College in 1972.
In 1975, Lateef completed his dissertation on Western and Islamic education and earned a Ed.D. in Education from the University of Massachusetts at Amherst. In the early 1980s, Lateef was a Senior Research Fellow at the Center for Nigerian Cultural Studies at Ahmadu Bello University in the city of Zaria, Nigeria. Returning to the United States in 1986 he took a joint teaching position at the University of Massachusetts and Hampshire College.
Lateef's 1987 album Yusef Lateef's Little Symphony won the Grammy Award for Best New Age Album. His core influences, however, were clearly rooted in jazz, and in his own words: "My music is jazz."
In 1992, Lateef founded YAL Records. In 1993, Lateef was commissioned by the WDR Radio Orchestra Cologne to composeThe African American Epic Suite, a four-part work for orchestra and quartet based on themes of slavery and disfranchisement in the United States. The piece has since been performed by the Atlanta Symphony Orchestra and the Detroit Symphony Orchestra.
In 2010, Lateef received the lifetime Jazz Master Fellowship Award from NEA, the National Endowment for the Arts, an independent federal agency.
The Manhattan School of Music, where Lateef earned a bachelor's and a master's degree, awarded him a Distinguished Alumni Award in 2012.

Lateef's last albums were recorded for Adam Rudolph's "Meta Records". To the end of his life, he continued to teach at the University of Massachusetts at Amherst and Hampshire College in western Massachusetts. Lateef died on the morning of December 23, 2013 at the age of 93 after suffering from prostate cancer.

The discography of Yusef Lateef include the following:


Savoy 1957-1959
  • Jazz for the Thinker (1957)
  • Jazz Mood (1957)
  • Jazz and the Sounds of Nature (1957)
  • Prayer to the East (1957)
  • The Dreamer (1959)
  • The Fabric of Jazz (1959)
Impulse! 1963-1966
  • Jazz 'Round the World (1963)
  • Live at Pep's (1964)
  • 1984 (1965)
  • Psychicemotus (1965)
  • A Flat, G Flat and C (1966)
  • The Golden Flute (1966)
Atlantic 1967 -1991
  • The Complete Yusef Lateef (1967)
  • The Blue Yusef Lateef (1968)
  • Yusef Lateef's Detroit (1969)
  • The Diverse Yusef Lateef (1969)
  • Suite 16 (1970)
  • The Gentle Giant (1971)
  • Hush 'N' Thunder (1972)
  • Part of the Search (1973)
  • 10 Years Hence (1974)
  • The Doctor is In... and Out (1976)
  • Yusef Lateef's Little Symphony (1987)
  • Concerto for Yusef Lateef (1988)
  • Nocturnes (1989)
  • Meditations (1990)
  • Yusef Lateef's Encounters (1991)
YAL Records 1992-2002
  • Tenors of Yusef Lateef and Von Freeman (1992)
  • Heart Vision (1992)
  • Yusef Lateef Plays Ballads (1993)
  • Tenors of Yusef Lateef and Archie Shepp (1993)
  • Woodwinds (1993)
  • Tenors of Yusef Lateef & Ricky Ford (1994)
  • Yusef Lateef's Fantasia for Flute (1996)
  • Full Circle (1996)
  • CHNOPS: Gold & Soul (1997)
  • Earth and Sky (1997)
  • 9 Bagatelles (1998)
  • Like the Dust (1998)
  • Live at Luckman Theater (2001)
  • Earriptus (2001)
  • So Peace (2002)
  • A Tribute Concert for Yusef Lateef: YAL's 10th Anniversary (2002)
Meta Records
  • The World at Peace (1997)
  • Beyond the Sky (2000)
  • Go: Organic Orchestra: In the Garden (2003)
  • Towards the Unknown (2010)
  • Voice Prints (2013)
Other labels
  • Before Dawn: The Music of Yusef Lateef (Verve, 1957)
  • The Sounds of Yusef (Prestige, 1957)
  • Other Sounds (New Jazz, 1957)
  • Lateef at Cranbrook (Argo, 1958)
  • Cry! - Tender (New Jazz, 1959)
  • The Three Faces of Yusef Lateef (Riverside, 1960)
  • The Centaur and the Phoenix (Riverside, 1960)
  • Lost in Sound (Charlie Parker, 1961)
  • Eastern Sounds (Moodsville, 1961)
  • Into Something (New Jazz, 1961)
  • Autophysiopsychic (1977, CTI Records)
  • In a Temple Garden (1979, CTI Records)
  • Yusef Lateef in Nigeria (Landmark, 1983)
  • Influence with Lionel and Stéphane Belmondo (2005)
  • Roots Run Deep (Rogue Art, 2012)
With Cannonball Adderley
  • The Cannonball Adderley Sextet in New York (Riverside, 1962)
  • Cannonball in Europe! (Riverside, 1962)
  • Jazz Workshop Revisited (Riverside, 1962)
  • Autumn Leaves (Riverside, 1963)
  • Nippon Soul (Riverside, 1963)
With Nat Adderley
  • That's Right! (Riverside, 1960)
With Ernestine Anderson
  • My Kinda Swing (1960)
With Art Blakey
  • The African Beat (1962)
With Donald Byrd
  • Byrd Jazz (Transition, 1955)
  • First Flight (1957)
With Paul Chambers
  • 1st Bassman (1961)
With Art Farmer
  • Something You Got (CTI, 1977)
With Curtis Fuller
  • Images of Curtis Fuller (Savoy, 1960)
  • Boss of the Soul-Stream Trombone (Warwick, 1960)
  • Gettin' It Together (1961)
With Grant Green
  • Grantstand (Blue Note, 1961)
With Slide Hampton
  • Drum Suite (1962)
With Louis Hayes
  • Louis Hayes featuring Yusef Lateef & Nat Adderley (1960)
With Les McCann
  • Invitation to Openness (1972)
With Don McLean
  • Homeless Brother (1973)
With Charles Mingus
  • Pre-Bird (aka, Mingus Revisited, 1960)
With Babatunde Olatunji
  • Drums of Passion (1960)
With Sonny Red
  • Breezing (Jazzland, 1960)
With Leon Redbone
  • Double Time (Warner Bros., 1976)
With Clark Terry
  • Color Changes (1960)
With Doug Watkins
  • Soulnik (New Jazz, 1960)
With Randy Weston
  • Uhuru Afrika (Roulette, 1960)
With Frank Wess
  • Jazz Is Busting Out All Over (1957)

Friday, December 20, 2013

000007 - Peter O'Toole, "Lawrence of Arabia" Star

Peter O’Toole, in full Peter Seamus O’Toole (born August 2, 1932, Connemara, County Galway, Ireland—died December 14, 2013, London, England), was an Irish stage and film actor whose range extended from classical drama to contemporary farce.

O’Toole grew up in Leeds, England, and was educated at the Royal Academy of Dramatic Art in London. He was a reporter for the Yorkshire Evening Post in his teens and made his amateur stage debut at Leeds Civic Theatre. After serving two years in the Royal Navy, he acted with the Bristol Old Vic Company from 1955 to 1958 and made his London debut as Peter Shirley in George Bernard Shaw’s Major Barbara (1956). He appeared with the Shakespeare Memorial Company at Stratford-upon-Avon, Warwickshire, England, in 1960 in highly praised performances as Shylock in The Merchant of Venice and as Petruchio in The Taming of the Shrew, and he played the lead in Hamlet for the inaugural production of the National Theatre in London in 1963. A prominent film star by this point in his career, O’Toole continued to appear on stages throughout the world to great acclaim. He was named associate director of the Old Vic in 1980.

O’Toole made his motion picture debut in Kidnapped in 1960 and two years later became an international star for his portrayal of T.E. Lawrence in David Lean’s epic Lawrence of Arabia (1962). In 1964 he played Henry II in Becket, and he had the title role in Lord Jim (1965). He appeared as Henry II again in The Lion in Winter (1968), a film notable for the witty verbal sparring matches between O’Toole and costar Katharine Hepburn. The Ruling Class (1972), a controversial black comedy that has become a cult classic, cast O’Toole as a schizophrenic English earl with a messiah complex. Personal problems contributed to a decline in his popularity during the 1970s, but he made a strong comeback in the early ’80s with three well-received efforts. He portrayed a duplicitous and domineering movie director in The Stunt Man (1980), and his performance as the Roman commander Cornelius Flavius Silva in the acclaimed television miniseries Masada (1981) was hailed as one of the finest of his career. His most popular vehicle during this period was My Favorite Year (1982), an affectionate satire on the early days of television, in which O’Toole played Alan Swann, a faded Errol Flynn-type swashbuckling screen star with a penchant for tippling and troublemaking.
O’Toole subsequently maintained his status with fine performances in such films as the Oscar-winning The Last Emperor (1987), the cult favorite Wings of Fame (1989), the miniseries The Dark Angel (1991), and Fairy Tale: A True Story (1997), in which O’Toole portrayed Sir Arthur Conan Doyle. Notable screen roles in the 21st century include an aging romantic in Venus (2006), the voice of a haughty food critic in the animated Ratatouille (2007), and a priest in the historical drama For Greater Glory (2012). In addition, in 2008 he portrayed Pope Paul III in the TV series The Tudors.
In 1992 O’Toole published a lively memoir, Loitering with Intent: The Child; a second volume, Loitering with Intent: The Apprentice, appeared in 1996. He was nominated for an Academy Award eight times: for Lawrence of Arabia, Becket, The Lion in Winter, Goodbye, Mr. Chips (1969), The Ruling Class, The Stunt Man, My Favorite Year, and Venus; in 2003 he was awarded an honorary Oscar. O’Toole received an Emmy Award for his performance as Bishop Cauchon in the television miniseries Joan of Arc (1999).

Wednesday, December 11, 2013

000006 - Paul Aussaresses, French General Who Tortured Algerians


Paul Aussaresses (November 7, 1918 – December 4, 2013) was a French Army general, who fought during World War II, the First Indochina War and Algerian War. His actions during the Algerian War, and later defense of those actions, caused considerable controversy.

Aussaresses was a career Army intelligence officer with an excellent military record when he joined the Free French Forces in North Africa during the Second World War. In 1947, he was given command of the 11th Shock Battalion, a commando unit that was part of France's former external intelligence agency, the External Documentation and Counter-Espionage Service, the SDECE (replaced by the Direction Générale de la Sécurité Extérieure (DGSE)).

Aussaresses provoked controversy in 2000, when in an interview with the French newspaper Le Monde, he admitted and defended the use of torture during the Algerian war. He repeated the defense in an interview with CBS's 60 Minutes, further arguing that torture ought to be used in the fight against Al-Qaeda, and again defended his use of torture during the Algerian War in a 2001 book, The Battle of the Casbah. In the aftermath of the controversy, he was stripped of his rank, the right to wear his army uniform and his Légion d'Honneur. Aussaresses remained defiant, he dismissed the latter act as hypocritical.

Aussaresses, recognizable by his eye patch, lost his left eye due to a botched cataract operation, not combat.

Aussaresses was born on November 7, 1918, just four days before the end of World War I, in Saint-Paul-Cap-de-Joux, Tarn department, in Languedoc. His father, Paul Aussaresses senior, was serving in the French military at the time of his son's birth because of the war.

In 1941, Aussaresses served a year as an officer cadet in Cherchell, Algeria. The next year, in 1942, he volunteered for the special services unit in France. He was a member of a Jedburgh team and a member of Team CHRYSLER which parachuted into France behind the German lines in August 1944. The Jedburghs worked clandestinely behind enemy lines to harness the local resistance and coordinate their activities with the wishes of the Allied Commanders. CHRYSLER deployed from Algeria via an American aircraft to work with the local French Resistance in Ariège. On September 1, 1946 he joined the 11th Choc Battalion and commanded the battalion from 1947 until 1948, when he was replaced by Yves Godard. Later, he served in the First Indochina War with the 1st Parachute Chasseur Regiment.
In 1955, he was transferred to Philippeville, Algeria, to be part of the 41st Parachute Demi-Brigade as an intelligence officer. He restarted his demi-brigade's intelligence unit, which had been disbanded during peacetime but was deemed necessary by the French Army who wanted to quell the insurgency of the 'Algerian rebels'. On August 20, 1955, the FLN (Algerian National Liberation Front) staged an attack against the police of Philippeville. Aussaresses states that he had information about this attack well beforehand and therefore he was able to prevent much of the possible bloodshed. The members of the FLN had also forced many of the men, women and children of the countryside to march in front of them, without weapons, as human shields. Aussaresses reports that his battalion killed 134 of these men, women and children, and that hundreds more had been wounded. He reports that two men from his own side also died, and that around one hundred others had been wounded.

In the spring of 1956, Aussaresses attended a top-secret training camp in Salisbury, England for a one-month training to prepare for the battle at Suez Canal. He returned to Bône, Algeria in May 1956 to continue exercises with paratroopers on their way to the Suez Canal. On June 1, 1956, he received a spinal fracture from a parachuting exercise, which prevented him from participating in the Suez operation.

General Jacques Massu, who had noted Aussaresses' work against the insurrections in Philippeville, ordered Aussaresses to work under him in Algiers as an agent to control the FLN in Algiers. Aussaresses reported for duty in Algiers on January 8, 1957. He was the main executioner and intelligence collector under Jacques Massu during the Battle of Algiers. On January 28, he broke a city-wide strike organized by the FLN using repressive measures. Soldiers forcibly dragged all public utilities workers to their jobs. Store fronts were torn open so that the owners had to open the store for fear of being looted. Later in 1957, he ordered his men to hang Larbi Ben M'Hidi, an important member of the FLN, as if he had committed suicide. In a separate incident he ordered that an officer throw Ali Boumendjel, an influential Algerian attorney, from the 6th floor of the building he was held prisoner in, claiming that Boumendjel had committed suicide. France decreed that both deaths were suicides, but Aussaresses admitted both assassinations in 2000.

Aussaresses contends, in his book, that the French government insisted that the military in Algeria "liquidate the FLN as quickly as possible". Subsequently, historians debated whether or not this repression was government-backed or not. The French government has always claimed that it was not, but Aussaresses argues that the government insisted upon the harsh measures he took against Algerians - measures which included summary executions of thousands of people, hours of torture of prisoners, and violent strike-breaking.

Aussaresses was quite candid in his interview in Le Monde forty years later (May 3, 2001):
"Concerning the use of torture, it was tolerated, if not recommended. François Mitterrand, the Minister for Justice, had, indeed, an emissary with Massu in judge Jean Bérard, who covered for us and who had complete knowledge of what went on in the night."
Aussaresses justified the use of torture by saying how shocked he was by the FLN's massacre at the El Halia mine. He suggested that torture was a small but necessary evil that had to be used to defeat a much larger evil of terrorism. Aussaresses also claimed that he used these methods because it was a quick way to obtain information. He also defended its use by saying that the legal system was meant to deal with a peacetime France, not a counter insurgency war that the French army was faced with in Algeria.

In an interview to Marie-Monique Robin, Aussaresses described the methods used, including the creation of death squads (escadrons de la mort), the term being created at this time.

Following Aussaresses' revelations, which suggested that torture had been ordered by the highest levels of the French state hierarchy, Human Rights Watch sent a letter to President Jacques Chirac (RPR) to indict Aussaresses for war crimes, declaring that, despite past amnesties, such crimes, which may also have been crimes against humanity, may not be amnestied. The Ligue des droits de l'homme (LDH, Human Rights League) filed a complaint against him for "apology of war crimes," as Paul Aussaresses justified the use of torture, claiming it had saved lives following the Necessity Defense [AKA: Choice of Evils] and/or the Self-Defense (although he did not explicitly use this expression). He was fined 7,500 Euros by the Tribunal de grande instance court of Paris, while Plon and Perrin, two editing houses who had published his book in which he defended the use of torture, were sentenced each to a 15,000 Euros fine. The judgment was confirmed by the Court of Appeal in April 2003. The Court of Cassation rejected the intercession in December 2004. The Court of Cassation declared in its judgment that "freedom to inform, which is the basis of freedom of expression" does not lead to "accompany the exposure of facts ... with commentaries justifying acts contrary to human dignity and universally reproved," "nor to glorify its author." Aussaresses had written in his book: "torture became necessary when emergency imposed itself."

Aussaresses had a successful military career after the war. Unlike many of his fellow officers, he did not choose to join the OAS militant group to continue the fight in Algeria after the French military began to withdraw their forces. In 1961, he was appointed as a military attaché of the French diplomatic mission in the United States, alongside ten veterans of the Algerian War formerly under his charge. In the United States, he also served at Fort Bragg, North Carolina, alongside the 10th Special Forces Group, a military unit that specialized in tactics of unconventional warfare. There he taught the "lessons" of the Battle of Algiers", which allegedly included counter-insurgency tactics, interrogation, and torture. According to Aussauresses, he specifically taught lessons from Colonel Trinquier's book on "subversive warfare" (Aussaresses had served under Trinquier in Algeria). The Americans' Vietnam era Phoenix Program was inspired by these American students of Aussaresses, after they had sent a copy of Trinquier's book to CIA agent Robert Komer.

Aussaresses relocated to Brazil in 1973 during the military dictatorship, where he maintained very close links with the military. According to General Manuel Contreras, former head of the Chilean DINA, Chilean officers trained in Brazil under Aussaresses' orders and advised the South American juntas on counter-insurrection warfare and the use of torture that was widely used against leftist opponents to the military regimes in Argentina, Bolivia, Brazil, Chile and Paraguay.

The character of Julien Boisfeuras in the novels The Centurions and The Praetorians by Jean Larteguy was according to Larteguy not based on anyone, but many believe that he was at least partially inspired by Aussaresses and Roger Trinquier.

***

Friday, November 8, 2013

000005 - Mohamed Morsi, Fifth President of Egypt

Mohamed Morsi (Arabic: محمد محمد مرسى عيسى العياط‎, ALA-LC: Muḥammad Muḥammad Mursī ‘Īsá al-‘Ayyāṭ) (b. August 20, 1951) is an Egyptian politician who served as the fifth president of Egypt, from June 30, 2012 to July 3, 2013, when he was removed by the military after mass protests. He is considered by most to be the first democratically elected head of state in Egyptian history. Although his predecessors also held elections, these were generally marred by irregularities and allegations of rigging. He was also the first president to have first assumed his duty after an election, as opposed to coming to power as revolutionaries (in the case of Gamal Abdel Nasser) or as appointed successors (Sadat, Mubarak).


Mohamed Morsi was educated in Egyptian public schools and universities. He was later granted a scholarship from the Egyptian government to prepare for a Ph.D. degree in the United States. Morsi was a Member of Parliament in the People's Assembly of Egypt from 2000 to 2005, and a leading member in the Muslim Brotherhood. He became Chairman of the Freedom and Justice Party (FJP) when it was founded by the Muslim Brotherhood in the wake of the 2011 Egyptian revolution. He stood as the FJP's candidate for the May–June 2012 presidential election.


Morsi's victory in the presidential election was announced on June 24, 2012 after he won the run-off election winning 51.7 percent of the vote against Ahmed Shafik, deposed leader Hosni Mubarak's last prime minister.

As president, Morsi granted himself unlimited powers on the pretext that he would "protect" the nation from the Mubarak-era power structure, which he called "remnants of the old regime" (Arabic: فلول‎, ALA-LC: Foloul), and the power to legislate without judicial oversight or review of his acts. In late November, he issued an Islamist-backed draft constitution and called for a referendum, an act that his opponents called an "Islamist coup"." These issues, along with complaints of prosecutions of journalists and attacks on nonviolent demonstrators, brought hundreds of thousands of protesters to the streets in the2012 Egyptian protests.

On June 30, 2013, mass protests erupted across Egypt which saw millions of protesters calling for the president's resignation. In response to the events, Morsi was given a 48 hour ultimatum by the military to meet the people's demands and to solve political differences or else they would intervene by implementing their own road map for the country and made it clear that they were not planning a coup.

Morsi was declared unseated on July 3, 2013 by a council consisting of defense minister Abdul Fatah al-Sisi, opposition leader Mohamed El Baradei, the Grand Imam of Al Azhar Ahmed el-Tayeb, and Coptic Pope Tawadros II. The military suspended the constitution, and established a new administration headed by the chief justice, and initiated a "brutal" crackdown on the Muslim Brotherhood.

On September 1, 2013, prosecutors referred Morsi to trial on charges of inciting deadly violence. The date was set for November 4, 2013 and he was being tried on charges of incitement of murder and violence.

Friday, November 1, 2013

000004 - Ibrahim Abatcha, Chadian Politician

Abatcha, Ibrahim
Ibrahim Abatcha (1938 – February 11, 1968) was a Muslim Chadian politician reputed of Marxist leanings and associations. His political activity started during the decolonization process of Chad from France, but after the country's independence he was forced to go into exile due to the increasing authoritarinism of the country's first President Francois Tombalbaye. To overthrow Tombalbaye he founded in Sudan in 1966 the FROLINAT, of which he was the first leader and field commander. Two years later he was killed in a clash with the Chadian Army.

Originally from Borno (a province of the British colony of Nigeria), Abatcha was born into a family with a Muslim background in the French colony of Chad at Fort-Lamy (today N'Djamena) in 1938, and learned to speak French, English and Chadian Arabic, but not to write Classical Arabic, as he did not study in a Qur'anic school. He found work as a clerk in the colonial administration and became a militant trade unionist.

Abatcha entered politics in 1958, becoming a prominent figure in the new radical Chadian National Union (UNT), mainly a split from the African Socialist Movement (MSA) by promoters of the No-vote in the referendum on Chad's entry into the French Community. The party's followers were all Muslims, and advocated Pan-Africanism and socialism. Towards the end of the colonial rule, Abatcha was jailed for a year either for his political activities or for mismanagement in the performance of his duties.

After independence in 1960, Abatcha and his party staunchly opposed the rule of President Francois Tombalbaye, and the UNT was banned with all other opposition parties on January 19, 1962. After that Abatcha was briefly imprisoned by the new Chadian government.

After his release, the UNT cadres decided that if the political situation in Chad became too unbearable to allow the party to survive, it would be wise to send out of the country some party members so that the organization would in any case maintain its existence. Thus Abatcha, who held the position of second adjutant secretary-general of the UNT, was sent in 1963 to Accra, Ghana, where he was later joined by UNT members Aboubakar Djalabo and Mahamat Ali Taher. By going into exile, the UNT members meant also to ensure their personal safety and organize abroad an armed revolt in Chad. As part of the means to preserve the unity of the movement, Abatcha wrote for the UNT a policy statement; this draft was to be the core of the official program of the FROLINAT.

Abatcha led the typical life of the Third World dissident in search of support in foreign capitals, first residing in Accra, Ghana, where he received his first military training and made friends among members of the Union of the Peoples of Cameroon that had found asylum there. The Cameroonians helped him attend conferences organized by international Communist groups.


After leaving Accra in 1965, Abatcha started traveling to other African capitals always seeking support for his project of beginning an insurgency against Tombalbaye. The first capital he reached in 1965 was Algiers, where the UNT had already a representative, probably Djalabo. His attempts were unsuccessful, as were those made from there to persuade the Chadian students in France to join him in his fight. From Algiers, he traveled to Cairo, where a small secret committee of anti-government Chadian students of the Al-Azhar University had formed. The students in Cairo had developed a strong political sensitivity because they had come to resent that the degrees obtained by them in Arab countries were of no use in Chad, as French was the only official language. Among these students, Abatcha recruited his first supporters, and with the help of the UPC Cameroonian exiles contacted the North Korean embassy in Egypt, which offered him a military stage. Seven Cairo students volunteered, leaving Egypt in June 1965 and returning in October; these were to be with Abatcha the first military cadres of the rebels. Abatcha with his "Koreans" went then to Sudan in October 1965.

Once in Sudan, Abatcha found fertile ground for further recruitment, as many Chadian refugees lived there. Abatcha was also able to enroll in his movement former Sudanese soldiers, including a few officers, of whom the most distinguished was to become Hadjaro Senoussi. He also contacted Mohamed Baghlani, who was in communication with the first Chadian insurgents already active in Chad, and with the insurgent group Liberation Front of Chad (FLT).

A merger was negotiated during the congress at Nyala between June 19 and June 22, 1966 in which the UNT and another rebel force, the Liberation Front of Chad (FLT) combined, giving birth to the FROLINAT, whose first secretary-general was agreed to be Abatcha. The two groups were ideologically ill-fitted, as they combined the radicalism of the UNT and the Muslim beliefs of the FLT. FLT's president, Ahmed Hassan Musa, missed the conference because he was imprisoned in Khartoum; Musa suspected with some reason that Abatcha had deliberately chosen the moment of his incarceration to organize the conference due to his fear of FLT's numerical superiority over the UNT. As a result, once freed Musa broke with the FROLINAT, the first of many splits that were to plague the history of the organization. Thus Abatcha had to face from the beginning a level of considerable internal strife, with the opposition guided by the anti-communist Mohamed Baghlani.

The unity was stronger on the field, with Abatcha and his so-called Koreans passing to Eastern Chad in mid-1966 to fight the government, and El Hadj Issaka assuming the role of his chief-of-staff. While his maquis were badly trained and equipped, they were able to commit some hit-and-run attacks against the Chadian army, mainly in Ouaddai, but also in Guera and Salamat. The rebels also toured the villages, indoctrinating the people on the future revolution and exhorting youths to join the FROLINAT forces.

The following year Abatcha expanded his range and number of operations, officially claiming in his dispatches 32 actions, involving prefectures previously untouched by the rebellion, that is Moyen-Chari and Kanem. Mainly due to Abatcha's qualities as both secretary-general and field-commander, what had started in 1965 as a peasant uprising was becoming a revolutionary movement.

On January 20, 1968 Abatcha's men killed on the Goz Beida-Abéché road a Spanish veterinarian and a French doctor, while they took hostage a French nurse. Abatcha disavowed this action and ordered his men to free the nurse. However, due to these actions, on February 11, Abatcha was tracked down by the Chadian army and killed in a clash.

Abatcha's death was the end of an important phase in the history of the FROLINAT and more generally of the rebellion. Abatcha had been the one generally acceptable leader of the insurrection. After him, the FROLINAT was more and more divided by inner rivalries, making it more difficult to provide the insurgents with a coherent organization.